When I die, fuck it I wanna go to hell 
Cause I’m a piece of shit, it ain’t hard to fuckin’ tell 
It don’t make sense, goin’ to heaven wit the goodie-goodies 
Dressed in white, I like black Tims and black hoodies 
God will probably have me on some real strict shit 
No sleepin’ all day, no gettin my dick licked 
Hangin’ with the goodie-goodies loungin’ in paradise 
Fuck that shit, I wanna tote guns and shoot dice 
All my life I been considered as the worst 
Lyin’ to my mother, even stealin’ out her purse 
Crime after crime, from drugs to extortion 
I know my mother wished she got a fuckin’ abortion 
She don’t even love me like she did when I was younger 
Suckin’ on her chest just to stop my fuckin’ hunger 
I wonder if I died, would tears come to her eyes? 
Forgive me for my disrespect, forgive me for my lies 
My babies’ mothers 8 months, her little sister’s 2 
Who’s to blame for both of them (naw nigga, not you) 
I swear to God I just want to slit my wrists and end this bullshit 
Throw the Magnum to my head, threaten to pull shit 
And squeeze, until the bed’s, completely red 
I’m glad I’m dead, a worthless fuckin’ buddah head 
The stress is buildin’ up, I can’t, 
I can’t believe suicide’s on my fuckin’ mind 
I want to leave, I swear to God I feel like death is fuckin’ callin’ me 
Naw you wouldn’t understand (nigga, talk to me please) 
You see its kinda like the crack did to Pookie, in New Jack 
Except when I cross over, there ain’t no comin’ back 
Should I die on the train track, like Remo in Beatstreet 
People at the funeral frontin’ like they miss me 
My baby momma kissed me but she glad I’m gone 
She knew me and her sista had somethin’ goin’ on 
I reach my peak, I can’t speak, 
call my nigga Chic, tell him that my will is weak. 
I’m sick of niggas lyin’, I’m sick of bitches hawkin’, 
matter of fact, I’m sick of talkin’.

This is why i like to write…I tend to write a lot i used to just let my voice tear down on my blog.  Hitting with hard emotional words.  Expressing the deepest emotions with a twist to confused the mind so they wouldn’t totally understand.  I’am too abstract….But between lines its there…

WHAT’S THE TOPIC VOL 1

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This is @Epidemik first appearance back on the scene after a one year hiatus, with a guest appearance by Hot Topic aka @LEGENDARIEL.  With this release he plans on hitting the game with a different strategy.  Most of his projects contains a concept behind it.  Keep a look out for the Artist that he supports Bags, Jumz, J.E.A, Prosice, and more.

More to come and in the works is his first Streetz Of Desert Storm callabo with DJ Don Demarco

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Sat down with Kel Spencer today and interviewed him for the Epidemik Experience.  It was a dope interview.  I also learned about a new plugin to use on this episode and if you listen to an older episode you can see the difference.  I learned a lot during this interview and I gained some more influences.  Reblog it is you like it, so check it out!!

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Ok ok, so this one is mainly my thoughts and opinions.  I had one episode recorded but I recorded this one on friday.  So yes I do have an unreleased episode.  I doubt I will release it ever.  it is available upon request maybe though.  Check it out let me know what you think.

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Sat Down with Supreme check out the interview

Supreme -the highest rank of Authority, Highest Degree, Power and Quality. Nyemiah Monet “Supreme’” Streeter was born and raised as a Performer on July 15, 1988 In Jamaica Queens Nyc. As the Only Child her parents put her in creative activities such as Dance School, Karate and BasketBall. She excelled the most in dancing and went on to make a career out of it. She went on to Background dance for Recording Artist Remy Ma’ & Touring with Jive Recording Artist Lil’ Mama on Chris Brown’s UCP tour 07-08. Supreme always had a love for music especially Hip Hop. She was offered a Personal Assistant Job to Def Jam Recording Artist Juelz Santana and took it. Being around Music encouraged her to fulfill her own dream of making music. Her goal in the Music Industry is to make a positive impact by not only being a female artist but an artist in it’s self.

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Interview with @Bagstheboss

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For some, the rocky road to success isnt easy to navigate. Take Queens native BAG$™ for instance. After working for years writing, changing producers, and waiting on his manager, BAG$™ noticed no one was going to help him as much as himself. Thanks to the popularity of his “B!T©H I’M A STAR™ imprint, Queens Hispanic scene would never be the same.

Raised with his brother in South Jamaica Queens, BAG$™ learned at a young age how to improve upon the not so perfect conditions around him. “My mother always said I used to setup stands and always try to sell somebody something, whatever it was” says the rapper born Angel Melo. “My father worked extremely hard to get what he has, so that work ethic was instilled in me since young. I knew that anything I wanted to get I had to work for.”

After graduating from high school, BAG$™ dabbled in drugs and started to see money roll in slowly, which prompted him to record at various studios and doing shows which in turn forced him to miss a lot of college.

“I was doing all types of things,” says the Queens MC today. “I was going to City College, after that I’d go straight to the studio in Bk, go to sleep, be up at 8am, go to class, make some sales. I knew I wanted to do entrepreneurial things, but I was still trying to find myself. Then I focused.”

It wasn’t until a 7am call from DJ Fatfingaz in 2007 that made BAG$™ work harder. “The first thing he said was ‘yo you wrote that Who You Know Fresher joint? Cuz I’m gonna start playing it wherever I’m at,” says the 23 yr old entertainer, “He was actually playing the record everywhere, then after that all the other DJ’s started catching on.”

BAG$™ worked with Fatfingaz for the upcoming months and noticed that more dj’s were playing his song, “Once I realized that people were feeling me I just went out and hit the streets,” says the resourceful MC who recorded his hit “Who You Know Fresher” in October of ‘05. “I just started emailing the record out and going through different people and promoting. I would be passing out CDs and going out partying and making sure they [DJ’s] played my song. The buzz just started to grow and before I knew it ‘Who You Know Fresher’ was at all The Queens’ clubs.” This was when he got to work on his 2007 SuperStar Jay hosted mixtape “B!T©H I’M A STAR™.” Not being content with how the project was received by the public, BAG$™ changed his flow and reinvented a flyer, flashier artist.

With a new image and flow, BAG$™ got to work on his 2008 release of “B!T©H I’M A STAR 2: The Corporate Takeover.” Tracks like “Lose Control” and “Raining Money,” show you where the “new” BAG$™ is headed. That seems to be for the charts. “How To Rob A Dj” finds the Queens artist remaking 50 Cents’ debut single “How To Rob A Industry Ni**a.” While “Touch The Fiends” and “Bring Em Out Dead” offers a glimpse of the streets, “Brother Under The Sun” outlines this lyricists loyalty to his crew. With the majority of the recording handled by Platinum Mic Studios, The Corporate Takeover is sure to knock heads nationwide.

A tireless work ethic and the B!T©H I’M A STAR following, continues to help BAG$™build a future through his love of creating music. “I’m a workaholic,” says BAG$. “For the next few years I’m going to go harder than any other artist. There’s no other choice for me, this isn’t a hobby, its my way out.” Spoken like a true star.

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This is the first episode of the Epidemik Experience…Check it out and let me know what you think about it.  Also remember that @Bagstheboss will be on the next show!! Tune in and all feedback is needed to make the show better.  He also has a video in rotation in the video player at the top.

I fixed the link…Also dont forget you can click the subscribe link on the side ——-> it will automatically download to your itunes